Together and with The Power of We, we can start a revolution. One Soul at a time... ~Jon Bon Jovi *** There's a Story on every street corner, my friend. All you have to do is open your eyes... ~Richie Sambora

An Evening with Richie and Orianthi

Friday, November 17, 2017

All you Richie lovers, if you're in the New York City area, you might want to check this out.  Click on the source link below, tickets are $25...

Backstory: An Evening of Music and Conversation w/Richie Sambora & Orianthi (RSO)

Backstory: An Evening of Music and Conversation w/Richie Sambora & Orianthi (RSO)

Join us for a unique opportunity to be part of the studio audience at this intimate conversation with Richie Sambora and Orianthi. The pair has joined forces for a new, genre-spanning musical project under the name RSO that sees these two platinum-selling singer-songwriters and world-class guitarists teaming up as a duo. They recently released a five-track EP called Rise, and there will be more music coming soon. The evening features a long-form interview, short performance, and opportunity for audience questions.

Richie Sambora and Orianthi will be interviewed by author and journalist Brad Tolinski. The event is part of the BackStory Events online series and will be live streamed by Guitar World magazine.

About Richie Sambora and Orianthi (RSO):

American rock icon, Songwriters Hall of Famer, and founding member of multi-platinum, Grammy-winning band Bon Jovi, Sambora (who has sold over 130 million albums worldwide and has co-written over 20 Top 40 hits and 11 Top 10 hits) and Australian guitar virtuoso Orianthi (who has shared stages with the likes of Michael Jackson, Santana, Prince, ZZ Top and was the first female member of Alice Cooper’s band) have both written chart-busting singles, toured the globe extensively, collaborated with superstar artists, and released three solo albums each. Their new collaboration, RSO, sees Sambora and Orianthi teaming up as a duo for a genre-spanning musical project encompassing elements of rock, blues, pop, R&B and country. They have plenty of stadium-ready melodies, uplifting lyrics, and top-notch musicianship, and the Rise EP is just the first taste of a lot more music to come from RSO. The harmonious blend of Sambora and Orianthi’s voices and guitars are front and center, putting a fresh spin on male-female duets. RSO displays the combustible chemistry that Sambora and Orianthi have both onstage and off. 

Find out more at


Jon Bon Heart Breaker...

Thursday, November 16, 2017

Who doesn't love carpool Karaoke?!  P!nk was awesome!!

Pink Admits Jon Bon Jovi Broke Her Heart As She Belts Out Hits With James Corden For Epic ‘Carpool Karaoke’ Skit

It’s long overdue, but Pink has finally belted out some of her classics in an epic “Carpool Karaoke” segment.
The 38-year-old joined James Corden for the much-loved “Late Late Show” skit, with her singing along to the likes of “Let’s Get The Party Started,” “Raise Your Glass” and “What About Us” in the 11-minute long clip.
It didn’t take long for Pink to open up about her major crush on Jon Bon Jovi when she was younger, with her admitting he even ended up sending her his leather pants.
The hitmaker said, when asked about when her obsession with the rocker first began: “Like 7 or 8, I still remember coming home in the car from singing lessons and they said on the radio that he’d married his high school sweetheart, Dorothea. I almost threw up in my mouth. I ripped his posters off the wall and threw them out and didn’t come out of my room for days.”
“I was devastated, it was the first time someone ever broke my heart,” Pink admitted.
Corden then asked the singer what had happened when the pair first crossed paths, to which she laughed: “I told him the first time I met him, we did a radio station in New Jersey, I think I was like 22, and I was like ‘how are you guys? Are you happy, you and Dorothea?'”
She continued, “And then he sent me a flower arrangement with a pair of leather pants. The flower basket was life-size and there was a note that said ‘now you can finally get into my pants.’ Carey [Hart] threw them out!”
Pink also spoke about her first ever tour gig being the opening act for N’Sync.
The star recalled: “I was 19 and they were really sweet. Joey Fatone used to come into my dressing room every day and visit with us,” as Corden replied: “He had a bit of a crush, right?”
Pink said: “We went on a friendly date, not a date date. We’re in the friend zone,” as Corden joked: “I think he thought he was making it to the end zone!”
The pair then ended the hilarious clip by singing upside down, before disaster struck and Corden got stuck.


25 Years Ago Today...

Friday, November 3, 2017

Bon Jovi's Keep the Faith, which arrived in stores on Nov. 3, 1992, signaled a new era for the Jersey rockers.

In many ways, this was inevitable. After spending most of the '80s on the road, the band had taken a break after the touring cycle wrapped up for 1988's juggernaut New Jersey. During this break, music trends had moved on from the kind of glossy hard rock and metal at which Bon Jovi excelled. Separately, the members of the band explored different sonic avenues. Jon Bon Jovi landed a solo No. 1 hit, the twang-tinged "Blaze of Glory," from the movie Young Guns II; guitarist Richie Sambora released a solo album, 1991's Stranger in This Town, featuring guests such as Eric Clapton; and keyboardist David Bryan dabbled in soundtrack work.

In a 1993 interview with The Georgia Straight, Sambora credited this break — and the band's individual creative detours — for rejuvenating Bon Jovi. “We needed to find ourselves individually,” he said. “The Bon Jovi situation was extremely successful, and I was very happy to be in a band of that stature, but there was almost nothing left to write about at that point — we were all just so tired and so burnt out. All we were writing about was bein’ on the road and bein’ in a hotel room and bein’ lonely and talkin’ to your girlfriend on the phone. They miss you and you miss them — that was what our lives were about at that time.

“So to actually take a step back and see what was happening in our lives gave us some more stuff to write about. Plus, all of a sudden I was working with people like Eric Clapton and Tony Levin from Peter Gabriel, and Jon was workin’ with Elton John and Jeff Beck, so workin’ with all these different artists gave us different influences, which we brought back to Bon Jovi. It made it fresh and brand-new, and we were excited to be with each other again."

Still, in the time between New Jersey and Keep the Faith, the members of Bon Jovi also nurtured their emotional and personal lives — and addressed the fissures and strains that contributed to the band's exhaustion. Jon Bon Jovi fired manager Doc McGhee and took control of the band himself, forming Bon Jovi Management. More notable, after chatting with Aerosmith manager Tim Collins, Jon Bon Jovi decided to enlist the help of an outside, unbiased mediator to help get to the bottom of the act's deep-seated disagreements.

"That was a saving grace for the band because we finally had a place where we could be honest and talk to each other about what was good, what was bad and what was indifferent," he told NPR in 2009. "And when you cleared the air and you realized, 'Wow, that was nothing, let's just go and make the next record,' everybody came back with a clear head. We went in two years later and made Keep the Faith."

Making Keep the Faith was a leisurely process that involved going back to their roots by spending time wood-shedding in Bon Jovi's basement. Later, the band decamped to Vancouver to work with Bob Rock, who had engineered and mixed Slippery When Wet and New Jersey. Asking Rock to produce Keep the Faith was an inspired move: The studio guru was fresh off Metallica's Black Album, and so had experience helping hard rock bands navigate the grungier '90s landscape.

And Bon Jovi assimilated quite well, mainly because they stuck to what they did best. "Little Bit of Soul" and the Desmond Child co-written "I'll Sleep When I'm Dead" are laid-back, bluesy struts, like the Stones playing a dive bar in Jersey; "Blame It on the Love of Rock & Roll" is a glammy mash note to (what else?) rock 'n' roll; and "Woman in Love" is a classic Bon Jovi barn-burner with blazing guitars, stacked harmonies and slippery grooves. On the mellower side is "I Want You," on which a protagonist pines for an ex and all but begs her to rekindle their relationship, and "In These Arms" is a soaring pop-rocker that's not too far off from U2's sky-high anthems.

Yet Keep The Faith also took some rather impressive risks. "If I Was Your Mother" starts off like Black Album-caliber thrash, and quickly segues into a quieter section with strings and distorted vocals. The title track is a ferocious mission statement with a propulsive back beat that hewed toward contemporary Top 40. (It's no accident that then-popular electronic band Jesus Jones remixed the song — the seemingly weird pairing made perfect sense.) And the album version of "Dry County" — a mid-tempo power ballad with moody piano, scorching electric guitar and desert-blues acoustic accents — is nearly 10 minutes long.

But Keep The Faith's biggest hit, the Billboard Top 10 hit "Bed of Roses," was the most dramatic departure of all. A power ballad bolstered with Hollywood-caliber melodrama — waltzing piano, seagull-cry guitars, an anguished chorus — it provided a blueprint for the band's move into adult contemporary circles. Not that Jon Bon Jovi was necessarily thinking that far ahead when he wrote it.

"I think that the best songs that come out of honesty are the ones that you're quick enough to write down," he told Cosmopolis in 2002. "For instance, 'Bed of Roses,' when I was writing that song in `92, was in no mood to be writing a song due to the circumstances, and instead of putting the pen down and walking away from the piano, I sat down and wrote, 'Sitting here wasted and wounded with this old piano ... ' and the hurt that I was feeling physically that day."

Keep the Faith peaked at No. 5 on the Billboard chart, but only went double platinum, a far cry from the band's '80s sales milestones. Still, in the U.K., the album was even more successful; six singles landed in the Top 20 of the chart. And, more important, the record showed Bon Jovi that they could survive anything — changing musical trends, business turmoil, personal dust-ups — and come out ahead.

"The genre of music that we were a part of was now going away and, you know, here was this sign of faith, which is all we really had to go forward with," Bon Jovi told NPR in 2009. "We went into the '90s with a clear objective, and that was to believe in each other and have in what it was that we were all about."



Happy Halloween

Tuesday, October 31, 2017

Have a Very Scary Day everyone!!!


Jon Bon Photo-bomber

Thursday, October 12, 2017

I kinda have to agree with one of the commernters on the article that, because one of the mom's asked him to be in the pic, he didn't really photo-bomb the shoot.  Still, it's cute.

Musician Jon Bon Jovi photobombs LI mom’s company photo shoot

Jon Bon Jovi jumped into a photo for

In an unexpected “epic photo bomb,” musician Jon Bon Jovi jumped into a photo shoot with kids modeling rock and roll clothes for a Long Island mompreneur’s company, making bunny ears above one boy’s head.

Sabrina Drazic of Manhasset, co-founder and owner of Kamari Kids, was with six children taking photos in Manhattan’s West Village on Oct. 8 for her 2-year-old online-only boutique’s fall...

Q Note:  You can read the rest of the article here, as I seem to have used up all the free article visits to this page, dammit!


The Daily Bitch...

Tuesday, September 19, 2017

Relevant today?


Jon Bon on the Move...

Thursday, June 8, 2017

Jon Bon Jovi lists stunning West Village duplex at 150 Charles Street

The rock legend bought the glorious spread back in 2015

It was just two years ago that one of New Jersey’s finest, rocker Jon Bon Jovi, bought a three-bedroom spread at West Village celebrity magnet 150 Charles Street. But it looks like the musician is moving on: His apartment just hit the market (with Corcoran’s Robby Browne team as the broker) asking a cool $17.25 million.
That’s a pretty decent upgrade from Bon Jovi’s purchase price of $12.95 million. Per Corcoran, the duplex apartment has plenty of luxurious touches: There’s an enormous great room with Hudson River views, three bedrooms with en-suite bathrooms (the master also has a walk-in closet), and a den area that could be converted to a fourth bedroom. There are windows everywhere, so the place gets plenty of light.
The best part, however, is undoubtedly the outdoor space: The apartment comes with a 1,500-square-foot terrace with stunning views of the city, along with two smaller, less over-the-top patios (including one off the master bedroom). Not too shabby at all.
Bon Jovi has had quite the real estate journey in the past few years: After listing his gigantic Soho penthouse for a staggering $42 million in 2013—and getting no takers—the rocker cut the asking price not once, but twice. The palatial apartment finally sold in 2015, though the buyer ended up re-listing it last year; it’s now going for $38 million.
But his departure from 150 Charles won’t leave too big of a celeb-shaped hole at the once-controversial West Village development: Ben Stiller and model Irina Shayk are two of the big names who’ve bought in the building.


Jon Bon Commencement Surprise...

Thursday, May 18, 2017

Bon Jovi surprises students at Fairleigh Dickinson University's graduation ceremony

Bon Jovi surprised 2,600 students with an acoustic performance during Fairleigh Dickinson University’s commencement ceremony Tuesday at MetLife Stadium in New Jersey.
"Today marks the end of one chapter in your life and the start of another," Jon Bon Jovi told the proud graduates. "Enjoy the book. You're the one writing it."

“Our student response was incredible and thanks to their participation, FDU was the national winner,” the university’s president, Christopher Capuano, said after Bon Jovi’s performance of his new song, “Reunion.” “I’m sure that is something that we will all remember for a very long time.”

The singer appeared on “Good Morning America” today as he was gearing up for the big surprise, hiding inside the MetLife stadium locker rooms.
“We had a nationwide contest to have Bon Jovi perform at your graduation,” he explained. “I had written a song for a commencement I was giving, and since then it had turned into a record, a song on our new album called ‘Reunion.’ And so we’re going to pop up and surprise the school who had the most votes to get us to come.”
The song's chorus includes the lyrics, "Write your song, sing along, love your life ... Learn to laugh, dare to dance, touch the sky ... Take pictures each step of the way ... Make this the best of the rest of your days ... Start your revolution and I'll see you at the reunion."
Bon Jovi caught up with "Good Morning America" co-anchor Michael Strahan before the surprise performance, where the rock icon offered his graduation advice, saying he would tell the former students to "be careful of the words that you say, not only to others, but to yourself."
"Don't take any criticism too heavily, but don't accept the praise too loudly either," Bon Jovi added. "Be humbled in your approach to things."
He said that he hopes his song "Reunion" will be "a song that you’ll be able to sing and relate to, and hear on the radio, and go 'That was a part of my graduation.'"

The contest, which partnered with MTVU, asked college seniors to share their best college moments on Twitter using the hashtag #JBJReunionContest.
Bon Jovi is no stranger to celebrating college graduations this week.
“Two of my kids are graduating college this week,” he said on “GMA.” “Stephanie has got her film degree and Jesse’s got his political science degree, so daddy’s going to two graduations.”
As he was exiting FDU’s commencement stage after his performance, he wished the class of 2017 “Good luck.”



Friday, April 7, 2017

I'm sure by now you've all heard the news...
(Where's the Bad Medicine when you need it?!)  ;)

Bon Jovi Postpones Madison Square Garden Tour Stops: Exclusive

Frontman Jon Bon Jovi has been fighting bronchitis since the weekend.

Based on doctors' recommendations, Bon Jovi’s concerts at Madison Square Garden on Friday and Saturday will be rescheduled to next week, Billboard has exclusively learned.
The postponement is due to the bronchitis that frontman Jon Bon Jovi has been fighting since last Saturday.
"The decision was difficult to make, but made in the interest of delivering the full, powerhouse performance for which Bon Jovi is known," according to a band spokesperson.
Tickets purchased for Friday's show will be honored on April 13, and Saturday's tickets will be honored on April 15.
For more information on the rescheduled dates, visit, the Madison Square Garden website and


Review: Bon Jovi PPG Paints Arena, Pittsburgh 4/5/17

Thursday, April 6, 2017

Bon Jovi cuts PPG Paints Arena show short with sore throat

Bon Jovi, the band, was sounding a little off at PPG Paints Arena Wednesday night, and then Jon Bon Jovi put his finger on it.

He was almost halfway there, after doing “Runaway,” when he revealed that he’s had a cold since Saturday night: “I think I'm singing like s--- tonight, and I apologize… but I'm gonna keep pushin’ on and if you stick it out with me, I'll stick it out with you.”

He was right to come clean. You could hear the scratchiness in his throat, and the sound mix, with the bass amped up like King Kong stomping through Uptown, wasn't doing him any favors. He dropped down to some raspy whispers over the verses and lots of cringe-worthy flat notes on the choruses.
This was Bon Jovi’s first trip to town with the full band since 2013. Before that, he sold out consecutive nights at the arena in 2010. This time, the show hit Groupon, and on Tuesday, the Steelers, who were not the promoters, sent out an offer to season ticket holders for $10 concert tickets.

What went wrong? Was it backlash for supporting Hillary Clinton in October? Was it the awkward intrusion into people's living rooms in that DirectTV commercial? Something cooled off the fanbase on this visit.

It’s certainly not a lack of radio play, and the band even had a No. 1 album last year with “This House is Not for Sale.” The title track was the dramatic show opener, played behind a curtain with projected video of Pittsburgh roads leading right to PPG Paints Arena. 

It was a promising start, and seemed enough like a regular Bon Jovi party in the Burgh, because Bon Jovi hits are pretty uncomplicated and all break into big choruses for everyone to sing along. The crowd helped out, in more ways than one.

“This is the day when I need a karaoke singer,” he said. “Which one of you guys in a bar band knows all the words to Bon Jovi songs?”

Little does he know that we’ve had not one but two cover bands in this town called Bon Journey. Maybe those singers were even there. He didn't get one of those guys, but he did get Brad Evanovich, a volunteer from the crowd, to come up and do a spirited job on “Born to Be My Baby.”

He also had some subs on guitar, with Phil X and John Shanks ably filling the shoes of sidekick Richie Sambora, who bailed in the middle of the 2013 tour after 30 years.

Bon Jovi, still looking youthful at 55 in a biker jacket and black jeans, pushed his way through his a run of hits including “You Give Love a Bad Name,” “Bad Medicine,” “I’ll Sleep When I’m Dead” and “It’s My Life.”

But he probably needed more Brad. He skipped several songs in the usual setlist to jump ahead to “Bad Medicine” and then after 90 minutes of the expected two-and-a-half hour show, he threw in the towel.

“This is going to have to be the last one,” he declared, leading the band into signature hit “Livin’ on a Prayer,” with partial vocals from Phil X and the fans, who at that point, were probably a lot happier if they got the Groupon or the Steelers deal. 

“I want to thank you for your kindness,” he said. And they truly were kind. “I'm sorry we couldn't do the full show tonight. God bless you all.”

And with that, he was off for some good medicine, bad medicine, whatever he needed. The next show is Friday night at Madison Square Garden.

The winner of a contest to open for Bon Jovi here was the Interlochen Singer Songwriters from the Interlochen Arts Academy in Michigan, who were nothing like Bon Jovi stylistically, playing shrill singer-songwriter piano pop. They gave it a valiant effort, for amateurs, but were taking a slot that could have been filled by any number of really good Pittsburgh bands.


Review: Bon Jovi Wells Fargo Center, Philadelphia 3/31/17

Monday, April 3, 2017

This review hurts me.  I know Jon's voice isn't what it was in the 80's and as a fan I know that the band very nearly killed themselves touring early on.  Jon's voice won't ever be what it was, but, and if any of you were there Friday night maybe you can shed some light, is this reviewer being honest or unduly harsh? Was his voice really that bad?  I haven't been to any shows on the tour - the closest the band has come to my hometown is a 4 hour drive on a week/work night - so I can't and won't judge on video alone.

Bon Jovi is merely a shadow in 2017; an honest concert review

Nearly two years ago, I reviewed Van Halen at PNC Bank Arts Center in Holmdel, and noted the dichotomy that now exists within the legendary band: members Eddie, Alex and Wolfgang Van Halen all still shred with aplomb, but singer David Lee Roth can scarcely carry a tune.
Diamond Dave's squawking that night was a detriment to the group's entire live production. After decades of vocal strain, his instrument just isn't what it used to be -- it's not even close. 
And unfortunately, he's not alone. 
After a largely off-key, two-and-a-half-hour set in Philadelphia Friday night, it is clearer now more than ever that Jon Bon Jovi has entered this dubious category. 
Let me state emphatically, I do not enjoy bashing Bon Jovi. "Slippery When Wet" was one the first CDs I bought with my own money. I take no joy or schadenfreude in ripping an artist who otherwise still puts on a bright, fun show, and who is clearly still trying. 
Besides, it did not seem as though the cheering crowd of 15,000 at Wells Fargo Center minded the bum notes at all. They came to dance, to hear the hits and see Jon, 55, flash that million-dollar smile.
And they received all of that. Every Bon Jovi favorite was rolled out with the appropriate bells and whistles, and the six-piece band behind Jon -- five of which sing backup -- were entirely serviceable, unleashing every guitar and synth solo you'd expect. Lead strummer Phil X has done well as a replacement for Richie Sambora (who left in 2013); on "It's My Life" and "Lay Your Hands On Me," his crunchy solos stole the show.  
But for fans who will be attending Bon Jovi's New York performances April 7 and 8, and spent hundreds of dollars to see the band bust out "Bad Medicine" and "You Give Love A Bad Name," know this: the live show will sound most like the CD when Jon is quiet. When Phil X and keyboardist David Bryan are given their brief vocal solos in "We Got It Goin' On," you will wish they just kept singing.

The list of subpar vocals on Friday night was long, but especially poor were the heavier new track "We Don't Run," the verses to "Born to Be My Baby," and "Have a Nice Day," where every note not landing in Jon's comfortable lower register was either shouted through or missed completely. 
"My voice is shot, I'm going gray, these muscles all ache," Bon Jovi tellingly sings, or tries to, in "God Bless This Mess," a mid-tempo track off the band's November LP "This House Is Not For Sale," which does have its merits. The title track, which opened the show, is a pumping arena-worthy anthem and the melody to "Rollercoaster" actually felt fresh and I'm still humming it this morning.  
But other than the tender new ballad "Scars on This Guitar," where his voice managed to hold its own, nothing matched the original recording. 
Was this just an off night? They are nearing the end of the tour, aren't they? Maybe he's just tired. 
It doesn't seem like it; at his intimate show at the Count Basie Theatre in Red Bank in October, he showed the same cracks. Like Lee Roth, Jon Bon Jovi was never an overpowering vocal talent to begin with, and it appears that 35 years of rock n' roll have done their bidding. Watch any of the videos in this post and hear for yourself. 
Does this mean he and the band should just hang up their guitar straps and sip Bud Lights in a recliner for the rest of their lives? No, of course not. In spite of his vocal, this was still an engaging show with seasoned musicians, and the arena went wild with each of Jon's hip-shakes, struts, and mention of his own rear-end.
People still want to see them. Throughout Friday's show, Jon expressed his gratitude to the crowd for sticking with the band, and how "This House" is a new beginning for the group. They aren't going anywhere.
If Bon Jovi were to extend its current tour into a summer show at MetLife Stadium, New Jersey's largest venue would easily fill with 55,000 rock fans. Heck, they could probably play three nights in a row and sell out each one. 
But just know, as you are shelling out cash for a good seat, to check out one of New Jersey's most iconic rock acts, you are now doing so at your own risk.

Bon Jovi's set list:

"This House Is Not for Sale"
"You Give Love a Bad Name"
"Lost Highway"
"Whole Lot of Leavin'"
"Roller Coaster"
"We Weren't Born to Follow"
"I'll Sleep When I'm Dead"
"We Got It Goin' On"
"Who Says You Can't Go Home"
"It's My Life"
"We Don't Run"
"God Bless This Mess"
"Scars on This Guitar"
"New Year's Day"
"Lay Your Hands on Me"
"Born to Be My Baby"
"Have a Nice Day"
"Bad Medicine"
"Keep the Faith"

"Raise Your Hands"
"The Fighter"
"Wanted Dead or Alive"
"Livin' on a Prayer"


Review: Bon Jovi, Joe Louis Arena, Detroit, 3/29/17

Thursday, March 30, 2017

Bon Jovi rocks Detroit with two Bob Seger tributes and farewell words to The Joe

DETROIT, MI - They've been rocking Detroit since the early 80s. Bon Jovi played Joe Louis Arena one last time with a tweaked setlist, some farewell words and not one, but two tributes to Metro Detroit's own, Bob Seger.
The rockers brought their "This House is Not For Sale" tour to The Joe on Wednesday, March 29, 2017 in what looks to be the last true rock concert in the storied arena's history.
"I want to thank you all very much for coming out here tonight," Jon Bon Jovi told the fans. "One last time at The Joe. Buildings come and go, but memories always stay." You can see Jon's full farewell and more fun moments from the concert in the video below.

Bon Jovi made some more unforgettable memories on this night with a 2 and a half hour high energy concert full of hits and a few songs from the new album.
The show kicked off with the band's first hit off the new album of the same name "This House is Not For Sale," followed by "Knockout." Then, the hits kept on coming with "You Give Love a Bad Name," "Lost Highway," "Whole Lot of Leavin'," and "We Weren't Born to Follow." Bon Jovi also played "Roller Coaster" from the new album.
First Seger tribute:
Then, something a little different, just for Detroit. The band mashed it's song "I'll Sleep When I'm Dead" with Seger's "Old Time Rock and Roll," playing the Seger hit nearly in its entirety.
The band continued to tweak the setlist from previous shows with another big song, their first hit single from 1984 "Runaway." Following that were hits "We Got It Goin' On," "Who Says You Can't Go Home," and "It's My Life."
Bon Jovi then told some stories behind some of the songs on their new album, playing four in a row. The rest of the concert featured all hits from years past with "Lay Your Hands on Me," "Born to be my Baby," "Have a Nice Day," "Bad Medicine," and ""Keep the Faith."
The encore changed right off the top from some previous shows with "Raise Your Hands," followed by two of the band's signature hits "Wanted Dead or Alive" and "Livin' on a Prayer."
Second Seger tribute:
In the introduction to "Wanted Dead or Alive," Jon not only dedicated it to Bob Seger, but credited the living legend as the inspiration for the band's huge hit. "It was 1985, I couldn't sleep. I heard "Turn the Page" and this song is what came to me."
Farewell words to The Joe:
At age 55, and with a full head of grey hair, Jon Bon Jovi is still rocking like it's 1985 with a lot of energy on stage and a powerful voice. He also continues to move the band forward with new music. Here is Jon's goodbye message to Joe Louis Arena, which is set to close in a few months to make way for Little Caesars Arena.
"We bid a farewell to this old arena. Another new one will take it's place. It doesn't mean that it will be better just because it's shiny and new because you all grew up here and you know what happened inside these walls. Champions were made in this building. Rock concerts and memories were made, relationships were as well. I just want you to know that I'm proud to have been just a little bit of it when we got to play here way back when. Thank you all very much for letting us be a part of it."
You can read the rest of the review here.
And now, some pictures:


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About Me

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I am and always have been a Bon Jovi fan. This blog is just my obsession taken a step further, my imagination in high gear if you will. I love to read and decided to see what would happen when I took that love of the written word and ramped it up a bit.

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